Prints Are Now Available

I have made a number of images available in a variety of different mediums and sizes. You can review the different options on the “Print Options” page of the site. You can find all the images that are currently available at my “STORE” in the Prints drop down menu. I would be honored to have my art work on your walls! If you have any questions regarding your print order please contact me and I will respond promptly.

There are four options available, Fine Art Prints, Aluminum, Canvas, and Acrylic. The size options are 12x18, 16x24, 20x30, and 24x36. Fine Art Prints are printed on a luster paper and will need to be framed to your taste. The other options come ready to hang.

Here is one of the images I am making available. A striking dead tree set against a foggy background in the Alder Dunes of the Oregon coast. If you want to know what I think of dead trees and what makes them an interesting subject you can read a previous blog post on the subject titled “Dead Trees

Finally, I would like to thank everyone for liking, sharing, and following my work on social media and here on my site. I very much appreciate it and hope you will continue to enjoy my photography and view of the landscape. Thanks! - Josh

Discovering your Long Lens for Better Landscapes

In 2019 I made the decision to explore the versatility of using longer focal lengths in creating unique landscape photos. So often we hear that the best landscapes are created using a wide or ultra wide lens that will take advantage of compelling and strong foreground subject matter to draw the viewer into the photo. While I completely agree that this technique works I’m finding myself very often reaching for my 70 -200mm lens or my 300mm fixed. The reasons for this are many but I think two really stand out in my landscape work. First, there isn’t always a great foreground element to exploit and second, the sky isn’t always going to give you that great color or interesting cloud formation you are hoping for. So, instead of forcing a composition that is lacking in either the foreground or background I’ve gravitated at times to picking out interesting details with a longer lens. Landscape images don’t always need to be about the grand vista. I find it really fun to take my 70 - 200mm lens and just scan the landscape through the viewfinder until I find some interesting detail(s) that you might not pick up on at first glance.

The following example features two photos taken from the very same location just minutes apart with very different results.

In the image above I am trying to make use of the tufts of desert grasses as a foreground element that lead the viewers eye into the middle of the frame and then down the canyon to the background. I used my 16mm - 35mm wide angle zoom set at 16mm. This photo, in my opinion just doesn’t really hold together as the background is lost in a smokey haze. With an interesting sky and/or better conditions this photo would be worth taking another stab at but in this case it doesn’t really work. The red rectangle just above the center of the frame represents the photo below.

The above photo was taken from exactly the same location using a 300mm fixed lens and a 1.4x extender. The result is a focal length of 420mm. Now, this is a pretty long focal length for a landscape image but I really like the resulting image. The composition is greatly improved and takes advantage of some nice light on the singular tree which is the focus of the photograph. The image eliminates most of the haze present in the previous example and even without a striking foreground the photo works. There are some converging lines that weren’t readily apparent before and the viewer is drawn from the tree, down and out of the canyon bottom.

Using a long lens often extends the time you have to shoot. As a rule of thumb the best landscape images are made during sunrise and sunset (although I have shot many images in midday under the right lighting). When using the long lens and isolating specific scenes within the scene I am often able to shoot even though the light overall isn’t optimal. So using a longer focal length not only simplifies the composition it can also simplify the complexities that come with shooting under harsh lighting conditions.

This photo below was taken about 2.5 hours before sunset. It was still very bright especially with so much light reflecting off the snowfields. It was mid June so the sun wouldn’t be down until nearly 9:30pm. Having never been to the location before, I arrived early as I wasn’t sure about the terrain above and out of view from the parking lot. There was no color yet in the clouds and I decided to take a few shots just to get the creativity flowing. I was definitely gravitating towards the aqua blue melt pools (shaded in center) and knew that they were going to be a major element in the photo. This particular composition just wasn’t working and the melt pools were basically becoming lost in the scene. Switching to the 70 - 200mm I was able to isolate those pools and the sunlit dome in the foreground.

The following image was the result. I was actually racing to create this image as I didn’t want to lose the sun illuminating the foreground. I was also careful to make sure there was separation between the pools and the sunlit rocks. Again, the image was simplified by eliminating the most distracting elements in the previous composition. One other thing, the longer lens allowed me to shoot further back from the edge of a very steep drop. A slip/fall from further out on this slope would have been unrecoverable. So, maybe not something people think about regarding lens choice but using a longer lens sometimes allows you to photograph from a safer position.

Finally, my favorite thing to photograph is big mountain terrain and when using the wide angle I find that the mountains get a little lost and just aren’t as prominent as they look in person. I’ve taken a bit to making what I call mountain portraits. Photos that capture just the mountain and very little else. Obviously not the only way to make fantastic mountain landscapes but one avenue to expand the divirsity of work being created. Here are two of my favorite mountain portraits done in the 70mm+ focal lengths.

Jack Mountain - 200mm

Golden Horn - 178mm

Source: https://www.joshterrellphoto.com/blog/disc...